Starring: Jesse Eisenberg, Anne Hathaway, George Lopez, Tracy Morgan, Jemaine Clement, Rodrigo Santoro, Will I Am, Leslie Mann
Directed By: Carlos Saldanha
Run Time: 1 hour 36 minutes
Rio starts off magestically with a wonderful burst of color, song, and dance as the birds of the jungle celebrate their joy of living the good life in such a beautiful place. And then it very quickly turns scary, horrifying, and sad as the birds get captured, including the baby Blu (voiced by Eisenberg). Life for him gets even scarier and sadder when his cage falls out of a truck in the middle of snowy Minnesota. He's cold. He's alone. He's scared. He's sad. And he's just a baby. Enter Linda (voiced by Mann), who rescues Blu. The two become inseparable best friends. Cut to 15 years later, Tulio (voiced by Santoro) enters their life. Tulio is an avian specialist from Brazil. He instantly recognizes Blu as a blue Macaw, one of the last few of his kind. He convinces Linda that she needs to fly with Blu to Rio so that Blu can meet Jewel (voiced by Hathaway), a female blue Macaw with hopes that the two can keep the line going. Not long after they arrive, Blu and Jewel are bird napped. They must find a way to escape and return to their comfy lives, with Blu at home in Minnesota and Jewel enjoying the freedom of the jungle in Brazil.
As you might have guessed, the opening scene scared and saddened me (ala Finding Nemo when his mother dies). I was actually shocked at how frightening and depressing it was. It was even more shocking to think that the subtle references to illegal animal trade (and capture) would go unnoticed by most and having that idea in my head made me more somber. There's also an interesting commentary on how wild animals shouldn't be domesticated (because birds who should fly never learn... which then means they're not being themselves... which also means they're not free). While one can argue that Blu, a highly domesticated animal, seems happy (albeit ignorant) in his pampered environment, one can't help but ignore what that same environment did to Nigel (voiced by Clement). Perhaps if he wasn't so domesticated, he wouldn't have been so evil.
Politics aside, this is a very cute movie... once you get passed the scenes depicting illegal animal trade (and there are a ton of them). The characters are fun.
This is the second movie I've watched this month that takes place in Rio. I point this out because, as a traveler, locale is of an interest to me. There seems to be a force trying to get me to Brazil.
On one hand, I liked the colors, and singing and dancing, and the quirky friends (and enemies). Who doesn't love a monkey wearing a gold watch as a belt? The colorful depiction of Carnivale was mesmerizing. On the other hand, it just didn't draw me in. It wasn't as cute and funny and quirky as it could have been. And that is really saying something because there was a bird versus monkey fight. I loved that. The imagery is hilarious. Bird on monkey fight. And there's also something side-splitting about a bulldog in gold Daisy Dukes. Don't get me wrong. Those scenes and lines gave me great delight. But the middle portion of the movie (once I got over being horrified and depressed) was a bit flat. And lest you think I'm just being a grumpy adult, perhaps the rightfully intended audience's (a child) assessment can sway you: Benjamin was so bored by this movie that he had to be escorted from the theater. If bright, dazzling colors and zinging songs with vibrant dances couldn't keep him from screaming, it can't be that enticing.
The ending was incredibly sweet. It had action. It had humor. It was quirky. It was inspirational. And it was redeeming. I really enjoyed the ending.
It's not a horrible movie. It's cute. It has its charm. It's fun. It is a little scary (illegal animal trade aside, Nigel the cockatiel is downright nightmare inducing). The colors are bold and beautiful. But it's just missing that extra oomph. Even Benjamin agrees with a very frustrated Hulk-style grunt.
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